The Japanese have become so smitten with the Western condiment - its texture as silky as a kimono, its tang as understated as the tang of Zen - that today they have a word for mayonnaise junkie: mayora.

If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.

I removed the freeway from its temporal context. Overpasses, cloverleafs, exit ramps took on the personality of Mayan ruins for me. Without destination, without cessation, my run was often silent and empty; there were no increments, no arbitrary graduations reducing time to functional units. I abstracted and purified.

To achieve the impossible; it is precisely the unthinkable that must be thought.

I can't remember exactly the first thing I wrote, but one of the stories, was about a pilot whose plane crashed on a desert island, and the only other life on the island was a brown cow with yellow spots. The cow had... to survive, had taught itself to eat and get nutriments from sand. I guess, I've always been interested in adaptability and taking whatever life hands you and running with it.

Growing up is a trap," snapped Dr. Robbins. "When they tell you to shut up, they mean stop talking. When they tell you to grow up, they mean stop growing. Reach a nice level plateau and settle there, predictable and unchanging, no longer a threat.

There are only two mantras, yum and yuck, mine is yum.