The Japanese have become so smitten with the Western condiment - its texture as silky as a kimono, its tang as understated as the tang of Zen - that today they have a word for mayonnaise junkie: mayora.

If you want to make a name for yourself, the oldest trick in the book is to attack what everybody else reveres.

A person's looking for a simple truth to live by, there it is. CHOICE. To refuse to passively accept what we've been handed by nature or society, but to choose for ourselves. CHOICE. That's the difference between emptiness and substance, between a life actually lived and a wimpy shadow cast on an office wall.

Most Americans pay lip service to the idea of freedom, but can't handle real freedom.

Faites de beaux rêves, monsieur," she called as she put out the light. Switters had always loved that expression, "Make fine dreams." In contrast to the English, "Have sweet dreams," the French implied that the sleeper was not a passive spectator, a captive audience, but had some control over and must accept some responsiblity for his or her dreaming. Moreover, a "fine" dream had much wider connotations than a "sweet" one.

A lot of aspiring writers are all ready to write a novel, but they don't know how to write sentences.

I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.