If the novelist isn't surprised by where his book ends up, he or she probably hasn't written anything worth remembering.

One tended to lose one’s bearings in the presence of willful and persistent acts of craziness, and the more gentle the act, the crazier it seemed, as if rage and violence, being closer to the norm, were easier to accommodate.

My desire was no less than before, you understand, but I no longer identified with the desire. Perhaps that is why taking them too seriously, we not only increase our susceptibility to disappointment, we actually create a climate inhospitable to the free and easy fulfillment of those desires.

If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.

Philosophers have argued for centuries about how many angels can dance on the head of a pin, but materialists have known all along that it depends on whether they are jitterbugging or dancing cheek to cheek.

You may tell the greatest lies and wear a brilliant disguise, but you can't escape the eyes of the one who sees right through you.

Modern Romans insisted that there was only one god, a notion that struck Alobar as comically simplistic. Worse, this Semitic deity was reputed to be jealous (what was there to be jealous of if there were no other gods?), vindictive, and altogether foul-tempered. If you didn't serve the nasty fellow, the Romans would burn your house down. If you did serve him, you were called a Christian and got to burn other people's houses down.