According to Hindu cosmology, we're in the kali yuga, a dark period when the cow of history is balanced precariously on one leg, soon to topple. Then there are our new-age friends who believe that this December we're in for a global cage-rattling which, once the dust has settled, will usher in a great spiritual awakening. Most of this apocalyptic noise appears to be just wishful thinking on the part of people who find life too messy and uncertain for comfort, let alone for serenity and mirth.

From the air, Vatican City looked like a marble Monopoly set. The Church owned all the property from Broadwalk to Illinois Avenue, has three hotels on every lot, and no matter how often it tossed the dice you just knew it would never land on Go to Jail, it would be forever passing Go and collecting $200.

My life is not merely a public phenomenon, it is a solitary adventure as well.

In Seattle, I soon found that my radical ideas and aesthetic explorations - ideas and explorations that in Richmond, Virginia, might have gotten me stoned to death with hush puppies - were not only accepted but occasionally applauded.

A person's looking for a simple truth to live by, there it is. CHOICE. To refuse to passively accept what we've been handed by nature or society, but to choose for ourselves. CHOICE. That's the difference between emptiness and substance, between a life actually lived and a wimpy shadow cast on an office wall.

In East of Eden, John Steinbeck wrote that there's never been a great creative collaboration. When the Beatles first burst on the scene, I thought they were proving him wrong. Later, we learned that Lennon and McCartney had each composed their pop masterpieces separately, individually. So it goes.

Plans are one thing and fate another. When they coincide, success results. Yet success mustn't be considered the absolute. It is questionable, for that matter, whether success is an adequate resposne to life. Success can eliminate as many options as failure.