When I go to the shore, I take along the poems of Pablo Neruda. I suppose it's because the poems are simultaneously lush and ripe and kind of lazy, yet throbbing with life - like summer itself.

Would you complain because a beautiful sunset doesn't have a future or a shooting star a payoff? And why should romance 'lead anywhere'? Passion isn't a path through the woods. Passion is the woods.

Most really good fiction is compelled into being. It comes from a kind of uncalculated innocence. You need not have your ending in mind before you commence. Indeed, you need not be certain of exactly what's going to transpire on page 2. If you know the whole story in advance, your novel is probably dead before you begin it. Give it some room to breathe, to change direction, to surprise you. Writing a novel is not so much a project as a journey, a voyage, an adventure.

Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time.

The oyster was an animal worthy of New Orleans, as mysterious and private and beautiful as the city itself. If one could accept that oysters build their houses out of their lives, one could imagine the same of New Orleans, whose houses were similarly and resolutely shuttered against an outside world that could never be trusted to show proper sensitivity toward the oozing delicacies within.

...to emphasize the afterlife is to deny life. To concentrate on Heaven is to create hell. In their desperate longing to transcend the disorderliness, friction, and unpredictability that pesters life; in their desire for a fresh start in a tidy habitat, germ-free and secured by angels, religious multitudes are gambling the only life they may ever have on a dark horse in a race that has no finish line.

This is the room where Jezebel frescoed her eyelids with history's tragic glitter