we've produced a generation of spiritual panhandlers, begging for coins of wisdom, banging like bums on every closed door...if an old man moves into a shack or a cave and lets his beard grow, people will flock from miles around just to read his "no trespassing" sign

Zippers are primal and modern at the very same time. On the one hand, your zipper is primitive and reptilian, on the other, mechanical and slick. A zipper is where the Industrial Revolution meets the Cobra Cult.

Dip a slice of bread in batter. That's September: yellow, gold, soft and sticky. Fry the bread. Now you have October: chewier, drier, streaked with browns. The day in question fell somewhere in the middle of the french toast process.

On the mainland, a rain was falling. The famous Seattle rain. The thin, gray rain that toadstools love. The persistent rain that knows every hidden entrance into collar and shopping bag. The quiet rain that can rust a tin roof without the tin roof making a sound in protest. The shamanic rain that feeds the imagination. The rain that seems actually a secret language, whispering, like the ecstasy of primitives, of the essence of things.

The trickster's function is to break taboos, create mischief, stir things up. In the end, the trickster gives people what they really want, some sort of freedom.

Whenever I finish a book, I go off and have some kind of adventure. Having had an adventure in my writing chair or on my writing sofa, an internal adventure, then I need to balance that off with an external adventure, so I'll go tramping through Africa or whitewater rafting or float to Hawaii in a martini shaker or something.

The most useful thing about art is it's uselessness.