There're many ways, my dear, to victimize people. The most insidious way is to persuade them that they're victims.

The harsh truth is, most red-haired men look like blondes who've spoiled from lack of refrigeration. They look like brown-haired men who've been composted out behind the barn. Yet that same pigmentation that on a man can resemble leaf mold or junkyard rust, a woman wears like a tiara of rubies.

There's birth, there's death, and in between there's maintenance.

Most novelists write about twisted lives.

On the mainland, a rain was falling. The famous Seattle rain. The thin, gray rain that toadstools love. The persistent rain that knows every hidden entrance into collar and shopping bag. The quiet rain that can rust a tin roof without the tin roof making a sound in protest. The shamanic rain that feeds the imagination. The rain that seems actually a secret language, whispering, like the ecstasy of primitives, of the essence of things.

Actually, there are countless ways to live upon this tremorous sphere in mirth and good health, and probably only one way - the industrial, urbanized, herding way - to live here stupidly, and man has hit upon that one way.

It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. The fetus bailed out without a parachute. It landed in the sideline Astroturf, so upsetting the cheerleaders that for the remained of the afternoon their rahs were more like squeaks.