The Divine was expansive, but religion was reductive. Religion attempted to reduce the Divine to a knowable quantity with which mortals might efficiently deal, to pigeonhole it once and for all so that we never had to reevaluate it. With hammers of cant and spikes of dogma, we crucified and crucified again, trying to nail to our stationary altars the migratory light of the world.

My comic sense, although deliberately Americanized, is, in its intent, much closer related to the crazy wisdom of Zen monks and the goofy genius of Taoist masters than it is to, say, the satirical gibes on Saturday Night Live. It has both a literary and a metaphysical function.

Human folly does not impede the turning of the stars.

America is a nation of 270 million people: 100 million of them are gangsters, another 100 million are hustlers, 50 million are complete lunatics, and every single one of us is secretly in show business. Isn't that fabulous?

Comedy is deemed inferior to tragedy primarily because of the social prevalence of narcissistic pathology. In other words people who are too self important to laugh at their own frequently ridiculous behavior have vested interest in gravity because it supports their illusions of grandosity.

Our world isn't made of earth, air and water or even molecules and atoms; our world is made of language.

Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.