I go into a gallery or museum, and I realize that I don't have to formulate any opinions if I don't want to. I don't have to think this thing through and write about it at any great length. I can think about it if I want to; if not, I can just walk out. So I can enjoy painting really a lot more than I could when I had that sort of pressure.

Leave it to a naive world-saver like you to view our love as a Sacred Cause when in actual fact all it was was some barking at the moon.

Serious reading is hardly a social activity and every halfway serious reader is perpetually subject to a form of coitus interruptus. Family members or friends who lack the desire, the courage, or the opportunity to burst in on you when there's some indication that you could be sexually entwined will seldom hesitate to interject themselves between you and a page, even though the act of reading is often as intimate and intense as a full-fledged carnal embrace.

There are apparently few limitations either of time or space on where the psyche might journey and only the customs inspector employed by our own inhibitions restricts what it might bring back when it reenters the home country of everyday consciousness.

It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. The fetus bailed out without a parachute. It landed in the sideline Astroturf, so upsetting the cheerleaders that for the remained of the afternoon their rahs were more like squeaks.

My paintings are very strange - large and empty, like walls. Just the opposite of my writing, which is rich and juicy.

Listen, I've been sick ever since I started working here, but today I'm well and I won't be in anymore.