Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense.

It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. The fetus bailed out without a parachute. It landed in the sideline Astroturf, so upsetting the cheerleaders that for the remained of the afternoon their rahs were more like squeaks.

That's the way the mind works: the brain is genetically disposed towards organization, yet if not controlled, will link even the most imagerial fragment to another on the flimsiest pretense and in the most freewheeling manner, as if it takes a kind of organic pleasure in creative association, without regards to logic or chronological sequence.

He was becoming unstuck, he was sure of that - his bones were no longer wrapped in flesh but in clouds of dust, in hummingbirds, dragonflies, and luminous moths - but so perfect was his equilibrium that he felt no fear. He was vast, he was many, he was dynamic, he was eternal.

There are two lost continents.... We are one: the lovers.

There is little difference between the Zulu warrior who smeared bis body with lion's fat and the modern woman who dabs hers with expensive perfume. The one was trying to acquire the courage of the king of beasts, the other is attempting to acquire the irresistible sexuality of flowers. The underlying principle is the same.

Solace? That's why God made fermented beverages and the blues.