Gimmicks come and go; the cop show seems one genre that will never leave - not as long as people like to sit at home in the suburbs and see what awful things go on in the cities.

Television's escapist programming naturally continues to endorse living beyond one's means as the time-tested American Way and rarely depicts families or individuals wracked by the pressures and miseries that come with excess.

Technically, 'Kukla, Fran and Ollie' was a kids' show, but adults watched almost religiously - and we're talking adult adults, celebrated adults - including James Thurber, Orson Welles, John Steinbeck, Adlai E. Stevenson and lyricist Stephen Sondheim.

In the 500-channel universe, which may, of course, contain many more channels than 500, the fun never stops - fun at such a fever pitch as to sometimes seem threatening, numbing, even agonizing.

You don't hear TV cops griping because they have to enforce some Draconian law that shouldn't be on the books in the first place, or lamenting vindictive excesses in sentencing. Hollywood, supposedly a frothing cauldron of liberalism, has always been conservative on crime.

Somewhere around the turn of the century, it stopped being hip to say you never watched TV. Adults are much more likely to find something to engage them on television than they are at the local multiplex. Edges are being cut on television all the time, but at the movies only now and then.

In the realm of pop celebrity, the bar has been lowered so far that there is no bar. People can be famous for being famous, famous for being infamous, famous for having once been famous and, thanks largely to the Internet, famous for not being famous at all.