Fifty-five crystal spheres geared to God's crankshaft is my idea of a satisfying universe. I can't think of anything more trivial than quarks, quasars, big bangs and black holes.

I don't really have a system or set of principles. It's kind of common sense mixed up with instinct.

We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.

I still believe that if your aim is to change the world, journalism is a more immediate short-term weapon.

It takes a lot of effort to be vibrant.

Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."

You can persuade a man to believe almost anything provided he is clever enough, but it is much more difficult to persuade someone less clever.