Places like Belgium and the south of France, Sweden and Copenhagen are really alive. They really love rock 'n' roll, they really respond.

I recently realized that Television has influenced a lot of English bands. Echo and the Bunnymen, U2, Teardrop Explodes - it's obvious what they've listened to and what they're going for. When I was sixteen I listened to Yardbirds records and thought, "God, this is great." It's gratifying to think that people listened to Television albums and felt the same.

The whole reputation of being a rock guitar player, I could really care less about it. Still, when I hear new groups today I do occasionally hear something where I think... ahh, I've heard that lick before.

I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.

I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.

Emily Dickinson has great sound and sense.

In Old English they don't say I had a dream, but there's another usage of the word - "life is but a dream," to be corny about it. It's implied with eyes wide open, rather than asleep. But I'm not a philosopher to explain myself. I wish I could. Maybe that's why I'm a musician.