He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.

On my gravestone, I want it to say, "I told you I was sick."

Presley's what I go by, why don't you change the station.

They have removed the struggle to find anything. And therefore there is no genuine sense of discovery. Struggle is the first thing we know getting along the birth canal, out in the world. It's pretty basic. Book store owners and record store owners used to be oracles, in that way; you'd go in this dusty old place and they might point you toward something that would change your life. All that's gone.

It's a battered old suitcase and a hotel someplace and a wound that will never heal.

Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs.

Living with kids is like living with a bunch of drunks. You know you really have to be on your toes all the time. Things are falling over and breaking and spilling. If you live on the second story, you really have to keep the windows shut all the time.