I'm facing upstage, with my back to the audience, and the spotlight comes up on my back as I start singing.

The country experience was more of a departure. When you consider my education and my upbringing, you can see that was more of country rock outgrowth of my popular music aspirations.

It's amazing to hear, as a voice matures and then starts to decline, what kind of emotion is still conveyed by a really good vocalist.

I think now I'm being taken a little more seriously. That's pure conjecture on my part.

I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.

I have no experience performing that music live in front of an audience. So that remains to be seen. I'm very excited to see what that's going to be like.

As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible.