You can't change your life. This mode in literature goes against the more middle-brown mode, which is about shaping your destiny, changing it. You can't change it, you just become passive in front of it. Even if we live in a godless universe, there are paths set, there are trajectories, like bumper cars just pulling those trajectories, colliding.

This is how I understand literature - as a kind of remix or echo chamber. What's going on in a literary work are other literary things disinterred, cannibalized, and recombined.

Publishing has gone very middlebrow. It's turned its back on legacy of modernism and gone into a humanist mode. When people go through art school they are exposed to the history of the avant-garde, and there's a general understanding that what you're doing as an artist is to a large extent, not just regurgitating that history, but engaging with it. There's this denial of that in the mainstream publishing world.

You can't change your life. This mode in literature goes against the more middle-brown mode, which is about shaping your destiny, changing it. You can't change it, you just become passive in front of it. Even if we live in a godless universe, there are paths set, there are trajectories, like bumper cars just pulling those trajectories, colliding.

All art is a form of hacking, it's a kind of breeching open of a closed system.