As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project.

The emotion, and the other aspect is that this relate to many different obstacle in life. Emotion, yes, I love emotion, for your information, very much so.

I write on scraps of paper. I do it every other day. I write about people's lives or how people look or my experiences. I'm very detailed - it's like a script.

One of the things you have to understand with The Room, I never approached a studio to produce, because I know no one in Hollywood will produce this. I came to Hollywood and I said "I will produce this movie the way I want it."

I usually don't like to talk about money, but I talk about the movie, and the other aspects of directing, etc.

Think about who you are. Think about how nice you can be to another person. By the same token then, to have your own opinion about life, you as an individual, with respect. But I think that's what the key to success is.

Millions of filmmakers would love to be in my position right now. If you are honest it makes the world a better place. I created the room with my passion and after all these years it finally worked out.