I am in the position of judging people by the best they've ever done rather than the worst.

Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love a free man is never safe. There is no gift for the beloved. the lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glance of the lover’s inward eyes.

Beginning 'Beloved' with numerals rather than spelled out numbers, it was my intention to give the house an identity separate from the street or even the city.

Most of the really good literature I've read in my life was political, meaning it was important - about something going on in the history of the world - or contemporary.

If he looked into her face, he would see those haunted, loving eyes. The hauntedness would irritate him - the love would move him to fury. How dare she love him? Hadn't she any sense at all? What was he supposed to do about that? Return it? How? What could his calloused hands produce to make her smile? What of his knowledge of the world and of life could be useful to her? What could his heavy arms and befuddled brain accomplish that would earn him his own respect, that would in turn allow him to accept her love?

She is convinced that when language dies, out of carelessness, disuse, indifference and absence of esteem, or killed by fiat, not only she herself, but all users and makers are accountable for its demise. In her country children have bitten their tongues off and use bullets instead to iterate the voice of speechlessness, of disabled and disabling language, of language adults have abandoned altogether as a device for grappling with meaning, providing guidance, or expressing love.

I'm a writer in the world. I translate the confusion that I might feel, the dread that I know I feel, moving towards some other place, moving away from puny language, from all that dread into some other kind of language.