My daddy's face is a study. Winter moves into it and presides there. His eyes become a cliff of snow threatening to avalanche, his eyebrows bend like black limbs of leafless trees. His skin takes on the pale cheerless yellow of winter sun; for a jaw he has the edges of a snowbound field dotted with stubble; his high forehead is the frozen sweep of the Erie.

In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.

The race thing is sort of a misnomer. It's just the human race, right? That's it. The rest of it, and racism, is socially constructed. Nobody is born racist, no one. What happens is other things that are usually based on power, money, feeling good about yourself, or bad about yourself, those things play into hating other people for whatever reason.

There are some very powerful contributions to knowledge in the scientific world or the legal world, but art is singular. That's why every dictator gets rid of the artists first. They burn the books and execute the artists first. Then they get on with whatever else they're interested in. Art might do something. It's dangerous.

The isolation, the separateness, is always a part of any utopia.

...a habit that had become one of those necessary things for the night... surely a body-friendly if not familiar-lying next to you. Someone whose touch is a reassurance, not an affront or a nuissance. Whose heavy breathing neither enrages nor discusts you, but amuses you like that of a cherished pet.

No gasp at a miracle that is truly miraculous because the magic lies in the fact that you knew it was there for you all along.