The vitality of language lies in its ability to limn the actual, imagined and possible lives of its speakers, readers, writers.

You rely on a sentence to say more than the denotation and the connotation; you revel in the smoke that the words send up.

Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.

Gimme hate, Lord,” he whimpered. “I’ll take hate any day. But don’t give me love. I can’t take no more love, Lord. I can’t carry it...It’s too heavy. Jesus, you know, you know all about it. Ain’t it heavy? Jesus? Ain’t love heavy?

He wants to put his story next to hers.

Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.

A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.