One has to work very carefully with what is in between the words. What is not said. Which is measure, which is rhythm and so on. So, it is what you don't write that frequently gives what you do write its power.

I don't believe any real artists have ever been non-political. They may have been insensitive to this particular plight or insensitive to that, but they were political, because that's what an artist is-a politician.

Please don't settle for happiness. It's not good enough. Of course you deserve it, but if that's all you have in mind - happiness - I want to suggest to you that personal success devoid of meaningfulness, free of a steady commitment to social justice - that's more than a barren life. It's a trivial one.

Race is the least reliable information you can have about someone. It's real information, but it tells you next to nothing.

There's a contract that I make between myself, the author, and the reader. I have to figure out how to give the reader certain powers of recognition, or his own knowledge, his own feelings, but I provide them, so we're working together.

Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge.

I didn't fall in love, I rose in it.