It's always seemed to me that black people's grace has been with what they do with language. In Lorrain, Ohio, when I was a child, I went to school with and heard the stories of Mexicans, Italians, and Greeks, and I listened. I remember their language, and a lot of it is marvelous. But when I think of things my mother or father or aunts used to say, it seems the most absolutely striking thing in the world.

I'm a writer in the world. I translate the confusion that I might feel, the dread that I know I feel, moving towards some other place, moving away from puny language, from all that dread into some other kind of language.

It would be ten years before they saw each other again, and their meeting would be thick with birds.

Now what? All the battles feminists won about not being a sex object, not being evaluated based on these things, that now other generations are wallowing in, the extremes they go to, to look sexually attractive? It's stunning how things that one fought desperately for are just being tossed aside with aplomb.

All paradises, all utopias are designed by who is not there, by the people who are not allowed in.

I sometimes lose interest in the characters and get much more interested in the trees and animals.

Much handled things are always soft(27).