I believe the book should be something you protect yourself from by returning to your life. But it has threatened your life. Not by saying something it believes is true, but by attacking it.

The books are recordings; that's what they have to be, recordings of the writing. They have to be happening to me.

My fear, as a writer, is that I am a curiosity. That I can only bring you this peculiar condition from far away, from outside, and if you look at it then it will mean nothing. So, I have to pretend it's more than that. Horror writing lets me do that.

I am a feral person. I have no bank account. I am unemployable. I own nothing. I lose my shoes sometimes when I go out. It sounds like I'm making a case for my own exceptionalism, which I suppose I am, but I wish it wasn't true.

As a kid, I couldn't articulate it but I sought out things that could. At first it was horror films - extreme panic and terror, grotesque and maniacal. These films calmed me and made me feel more connected in my experiences.

I am interested in giving the reader true vertigo. I look to deteriorating consciousness as our inevitable condition and I am trying to make it work the same way I did with my juvenile mind - that is, to imagine how we are suffering. To record it being actual and then virtual.

I think horror should have occult elements, not as its subject but as its ambition. It is a machine that destroys illusion. I, of course, never achieve this, but I always act as if I can.