The O. Henry has become lingua franca among writers for saying, 'That guy can write a story.' It's prestigious, respected, coveted, dreamed about. It's very satisfying to be included in this group of writers. Here's a koan: Could O. Henry win an O. Henry?

I should be writing a poem every morning but I'm not.

In a way, 'On the Road''s greatest victory is that nobody's eyes will be opened any longer by reading it; the last time I met any young people who were actually 'on the road' was when I covered Occupy St. Louis. Those few, dirty kids were fighting a battle even they couldn't articulate.

I have no doubt that 'On the Road' is a Great American Novel. But I'm also certain my students will do fine without it.

I once waited on Sean Connery. A long time ago. This was at the Caledonian Hotel in Edinburgh. They closed down the restaurant for him, and when he walked in with his morning paper, all the waitresses started squealing. He was a big guy, bigger than in the movies.

When I first read 'On the Road,' it helped me figure out how to live against the grain. Now I wonder how to be subversive when the subversive has become mainstream.

Discipline is what makes a writer. If writing was like lifting weights, then I'd look like Mr. Universe. Write every day. Give the Muse a chance to get to know you.