And you know, whether it's drama or comedy, the best work is based on truth. It's just that, with comedy, the circumstances are just crazy-heightened, and you have these crazy things thrown at you. But you still have to do it truthfully, because that's where the humor comes from. So it's not that difficult to cross over.

I've had the opportunity to do a wide range of stuff, a lot of different characters and they've all had their own kind of thing.

I always admire people who do commercials because they have to put together a beginning, a middle, and an end in 30 seconds.

I was a creative kid; I wasn't really into sports, and sports in the South are a pretty big deal. It's like a religion down there. It was tough to find my footing, but thankfully, my parents discovered, through a neighbor, this theater called Young Actors Theater and signed me up for the summer program. It really was a gift. Even if a kid doesn't go into acting or the arts like I did, some kids need that environment to find themselves and find what they love to do. I'm so thankful for that theater; it was a big gift to me.

I remember doing a lot of comedy. I always loved that feeling when you do something on stage and you can feel the vibe of the audience turn, and they start laughing. It's how you know something's not right, and how to fix it, or how to make the moment stronger or funnier.

My kind of childhood comic ideal was Tim Conway. And just because I always loved that he could do so much without saying anything and just his physical comedy. I'd love - I mean, that would be kind of a dream to have him come on and be able to act across from him.

My family was very supportive of whatever I wanted because my grandfather was an opera singer. My dad's dad. So my dad has an appreciation for the arts, and he let me choose my own path.