An author knows his landscape best; he can stand around, smell the wind, get a feel for his place.

Everything is connected. The wing of the corn beetle affects the direction of the wind, the way the sand drifts, the way the light reflects into the eye of man beholding his reality. All is part of totality, and in this totality man finds his hozro, his way of walking in harmony, with beauty all around him.

The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college.

You write for two people, yourself and your audience, who are usually better educated and at least as smart.

I am 82 years old. I imagine that I will keep on writing as long as anyone wants to keep reading.

I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites.

From where we stand the rain seems random. If we could stand somewhere else, we would see the order in it.