When I'm writing a new play, there's a period where I know I shouldn't be out in public much. I imagine most people who create go through something like this. You willfully loosen some of the inner straps that hold your core together.

I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.

There are two strains, I think, in American playwriting, of importance. One is traditional narrative realism, which is definitely my strain, and then the other great contribution is American musical theater, which is a whole other kettle of fish.

I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'

Imagination can't create anything new, can it? It only recycles bits and pieces from the world and reassembles them into visions... So when we thing we've escaped the unbearable ordinariness and, well, untruthfulness of our lives, it's really only the same old ordinariness and falseness rearranged into the appearance of novelty and truth. Nothing unknown is knowable.

I don't understand why I'm not dead. When your heart breaks, you should die

You learn that existence is legible but that you have to have a critical mind if you're going to read it.