The hardest scene for me is always the scene when I'm dealing with performances, when I'm actually looking at the guys and hoping that I'm covering it in the right way and that I'm handling it in the right way.

Making a movie is like a marathon, and commercials are like sprints - they're equally satisfying, but in different ways.

I have a short attention span.

GM is a highly collaborative organization; we rely on a whole tier of suppliers for everything that we do.

I'm trying to use the camera to get into people's heads. I use camera techniques a lot to articulate character.

I think the guiding principle for me is working with people, because I don't know how long it's going to last, I want to seize the moment and work with people I want to work with.

The biggest edge I live on is directing. That's the most scary, dangerous thing you can do in your life.