Every time I meet the CEO of a record label I tell them how they did it in the seventies because they want to know. I tell them, "Sign a hundred people! Throw it against the wall and see which ones stick!" And they frown and say, "Oh, we can't do that!" and they start mumbling about demographics and this and that.

I keep reviewing my feelings about the supernatural.

I love Logic Audio and have been using it for years. All my track outputs used to come up on my old board in the same order as in the old Mac G4 - 1 through 32, came up as 1 through 32, for instance.

You could make some great sounds with technology. That's what recording is all about. What happens in the studio is very magical, and should be, in my opinion.

Now I know what it's like to be a rock star. No, I didn't sleep with 5 groupies at once. But I was interviewed about 45 times in 5 days in 3 cities.

We always started these albums as making demos, that went right on until Scary Monsters.

It is easily overlooked that what is now called vintage was once brand new.