I have a really dry sense of humor. I don't think it's funny when people wink at the camera. That's more of an actor thing, just committing to whatever the thing is.

The script is a blueprint for the film - there are very few bad scripts that make good movies. If you really like the character and understand the utility it serves within the movie, that's a part of my process.

I certainly like working harder than a lot of my peers. The trick is embracing it.

Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'

I don't want to be an editor - I want to be really forward about that. I would be a horrible editor.

The script for 'In Good Company' was the first one I ever showed my dad.

I have a rule that I won't Google my own name.