Being able to hear an opinion. And then how to apply that opinion is something I am learning and working with every day. What can be tricky is how to differentiate a good suggestion that you should apply to your work [from] someone's personal taste at their opinionated best.

Everybody told me this 'girl on the piano' thing was never going to work.

I think there's a time as a writer when you want to see the best things in life, and you go out wherever you go with your dreams as a writer or a composer.

Sometimes, I think Trent just needs a cup of hot chocolate and a blankie.

When you stop putting yourself on the line, and you don't touch your own heart, how do you expect to touch other people?

When I play live, it's a conversation that we're all having with the song, and the audience... their response and relationship with the songs is as valid as my relationship with the songs.

Anyone who doesn't belive in Faeries, isn't worth knowing.