If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember the same melody on the same song, it was definitely something worth working more on. If I couldn't remember it, maybe there was a purpose about that.

I really love the fact that instrumental music can have you do your own inner-movies or your own visuals to the sound. There's not lyrics dictating what you should feel.

Even if I have a quite strong melody, there are so many possibilities and so many directions that you can take the music.

It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.

It's pretty much the songs I write that dictate what vibe it should be and what singers it should be.

There are some ideas that I know I have to try out before I find the right sound, before I find the right melody.

Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.