If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember the same melody on the same song, it was definitely something worth working more on. If I couldn't remember it, maybe there was a purpose about that.

For every album, I really try to make an album that you hopefully will listen to from the first track to the last track. I personally really like if there's a - maybe not a story, but there's a natural flow.

I think that the creative process, especially in the beginning of making an album, I'm feeling very fragile, so to speak, because you are trying out so many different ideas, and if you are listening to it from the outside, it would sound horrible!

Banging techno grooves from the one and only Ben Sims. Around the time of this was written he had that tribal/funky techno sound that rocked the dancefloor. He was a favorite then and still is now.

Even if I don't think in visuals about the music while I'm doing it, after the music is finished, it could be great to incorporate that in the live show or doing my own music videos.

I like to surprise the listener a little bit and also surprise myself when I write the music.

It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.