Even if I have a quite strong melody, there are so many possibilities and so many directions that you can take the music.

If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember the same melody on the same song, it was definitely something worth working more on. If I couldn't remember it, maybe there was a purpose about that.

I'm very much thinking in music most of the time, but I really would love to start filming because when I was a teenager, that was my big hobby and it was always fun for me to explore that world.

I must admit I'm a total control freak. That is the way that it works best for me.

I think that the creative process, especially in the beginning of making an album, I'm feeling very fragile, so to speak, because you are trying out so many different ideas, and if you are listening to it from the outside, it would sound horrible!

There are some ideas that I know I have to try out before I find the right sound, before I find the right melody.

It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.