I object to the hypersexualization of all the superheroines. Most of them have been hypersexualized, but especially to Wonder Woman, because she is an icon. She is up there with Superman and Batman. And she is the one who is the big influence on women. Women who don't read comics still know who Wonder Woman is.

In the sixties, in the middle sixties, suddenly comics became this hip thing, and college students and hippies were reading them. So I was one of them, and I started reading, basically it was the Marvel Renaissance at that point. It was all their new characters, Spiderman and the X-Men and the Fantastic Four.

I had tried to come up with a superhero comic, but it didn't work 'cause I wasn't a superhero artist, and I left it unfinished.

Today, although as a whole, the industry is still male-dominated, more women are drawing comics than ever before, and there are more venues for them to see their work in print. In the 1950s, when the comic industry hit an all-time low, there was no place for women to go. Today, because of graphic novels, there's no place for aspiring women cartoonists to go but forward.

I entered high school she[ my mother] said, "Well, you're a teenager now, and comics are for kids, so you shouldn't read them anymore," and I went, "Oh, okay," and I gave away what, of course, would now be thousands of dollars worth of comics to the neighborhood kids.

I object to the hypersexualization of all the superheroines. Most of them have been hypersexualized, but especially to Wonder Woman, because she is an icon. She is up there with Superman and Batman. And she is the one who is the big influence on women. Women who don't read comics still know who Wonder Woman is.

Disney has a bible for their characters, so that people who draw Disney characters have to make them look correct.