When seriously explored, the short story seems to me the most difficult and disciplining form of prose writing extant. Whatever control and technique I may have I owe entirely to my training in this medium.

Poor slob without a name. It's a little inconvenient, his not having a name. But I haven't the right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together.

I'm one of the world's greatest pencil sharpeners.

You can’t give your heart to a wild thing.

I'm not a philosopher.

Never love a wild thing, Mr. Bell,’ Holly advised him. ‘That was Doc’s mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can’t give your heart to a wild thing; the more you do, the stronger they get. Until they’re strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That’s how you’ll end up Mr. Bell. If you let yourself love a wild thing. You’ll end up looking at the sky.

I dream of eagles and bring forth sparrows.