I met Lee Harvey Oswald, in Moscow just after he defected. One night I was having dinner with a friend, an Italian newspaper cor­respondent, and when he came by to pick me up he asked me if I'd mind going with him first to talk to a young American defector, one Lee Harvey Oswald. Oswald was staying at the Metropole, an old Czarist hotel just off Kremlin Square.

I'd met Sharon Tate at the Cannes Film Festival.

Personally, I rather think that if you're not creative you've got a problem on your hands. If you are creative you've got a double problem.

Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.

How do I look so young? Quite simple: a complete vegetable diet, 12 hours sleep a night, and lots and lots of make-up.

You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.

Shoot, boy, the country's just fulla folks what knows everything, and don't understand nothing, just fullofem.