Of course people couldn't help but think I must be a bit of a dyke myself. And of course I am. Everyone is: a bit. So what? That never discouraged a man yet, in fact it seems to goad them on.

First, a gorgeous breakfast: just everything you can imagine from flapjacks and fried squirrel to hominy grits and honey in the comb...we're so impatient to get at the presents we can't eat a mouthful.

I'm not a character in any of my books.

No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.

Good luck and believe me, dearest Doc - it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.

If you have a single narrator, a person like an "I" - "'I' did this" and "'I' did that" - it automatically solves the most difficult problem in writing.

The average personality reshapes frequently, every few years even our bodies undergo a complete overhaul - desirable or not, it is a natural thing that we should change. All right, here were two people who never would change. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic.