What happened to me in the Sixties was so major and so worldwide and so huge, there's no way I can repeat it. But in a way, I had nothing to do with it, it just took me over. It was bizarre, it was weird, and I had no control over it. I don't think anyone could have planned what happened to me.

I've had albums out since the 1970s. I was in a musical, 'The Boy Friend,' directed by Ken Russell, and I was on Broadway in 'My One And Only' with Tommy Tune, so I've always been a singer, but I suppose people think of my modelling more.

I've always loved life, and I've never known what's ahead. I love not knowing what might be round the corner. I love serendipity.

I am very sad that some designers are still using real fur when the fake alternatives are so effective and so easily obtainable.

[On her thinness:] It's not what you'd call a figure, is it?

Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

The sixties were a time when ordinary people could do extraordinary things . . . !