The actor's always as good as the stories are. And so many important things, there is the light, there is the costumes, the makeup, there's the text, there's so many elements which the actor himself cannot control. But the script is the most important thing. First of all the story, and then you go from there. You know, it's like you stand in the kitchen, and say are we making a fish or do we grill a steak? And you go from there.
Udo KierPeople never understand what a friendship is. I'll tell you what a friendship is to me. Friendship to me is, if my friends need my little finger to live, I'm going to have it cut off. I'm going to the hospital, they cut off my finger, and maybe I have a gold finger instead, and I become famous. But I still give it to my friend.
Udo KierNow the time comes that I decided I only will do art films, basically. In a way, very similar to Isabella Rossellini. I prefer to work only with people like Lars von Trier or Guy Maddin or Gus Van Sant, just to name a few. But also there's bills to pay, and sometimes you have to make a movie. So my decision from now on is art movies, or movies which are commercial, but for real money. That is my decision.
Udo KierWerner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. "Ah, you worked with Werner - how was it? How did he direct you?" I was Fassbinder's actor.
Udo Kier