Terrorism [is] a biological consequence of the multinationals, just as a day of fever is the reasonable price of an effective vaccine . . . The conflict is between great powers, not between demons and heroes. Unhappily, therefore, is the nation that finds the "heroes" underfoot, especially if they still think in religious terms and involve the population in their bloody ascent to an uninhabited paradise.

The more elusive and ambiguous a symbol is, the more it gains significance and power.

When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.

We know that sensory phenomena are transcribed in the photographic emulsion in such a way that even if there is a causal link with the real phenomena, the graphic images can be considered as wholly arbitrary with respect to these phenomena.

We are formed by little scraps of wisdom.

Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the creator is revealed.

I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.