I think when tattoos are new and colorful, they look bad. But they look better the older and more bleached out they become.

Take a relief. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract.

I could see the works just living in reproductions. The work lives on like fantasy. Some live even better as just an image.

I always have a lot of things going on because some things take years to make and others take five minutes. I like that there's always something going on. Working doesn't have such a momentous feel - like it's all or nothing.

Did you find any artists complaining who don't already complain all day long about everything? No. But have you ever met a dealer who thought it was okay? Well, you maybe. It's still the art world. It's meant to be extreme. It's supposed to stand for liberty or whatever but really it's an extremely conservative environment. Why does everyone wear jeans? Because it's practical. To say something is taboo-breaking is to assume you have a clear image of the quality of a dealer. But there are certain dealers who always work this way.

Many artists who don't go off to art school come to New York. It's about what you learn when you're here.

I think when tattoos are new and colorful, they look bad. But they look better the older and more bleached out they become.