From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.

Do you see, Arren, how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that's the end of it. When that rock is lifted, the earth is lighter; the hand that bears it is heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls the universe is changed.

I use a whole lot of half-assed semicolons; there was one of them just now; that was a semicolon after 'semicolons,' and another one after 'now.

Writers have to get used to launching something beautiful and watching it crash and burn. They also have to learn when to let go control, when the work takes off on its own and flies, farther than they ever planned or imagined, to places they didn't know they knew.

Besides, when you say you're a feminist it annoys the bigots and the old farts and the prissy ladies so much, it's kind of irresistible.

What is love of one's country; is it hate of one's uncountry? Then it's not a good thing.

The pornography of violence of course far exceeds, in volume and general acceptance, sexual pornography, in this Puritan land of ours. Exploiting the apocalypse, selling the holocaust, is a pornography. For the ultimate selling job on ultimate violence one must read those works of fiction issued by our government as manuals of civil defense, in which you learn that there's nothing to be afraid of if you've stockpiled lots of dried fruit.