In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.

You have to help another person. But it's not right to play God with masses of people. To be God you have to know what you're doing. And to do any good at all, just believing you're right and your motives are good isn't enough.

While we read a novel, we are insane—bonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.

At this point, realism is perhaps the least adequate means of understanding or portraying the incredible realities of our existence.

It win be a device that will permit communication without any time interval between two points in space. The device will not transmit messages, of course; simultaneity is identity. But to our perceptions, that simultaneity will function as a transmission, a sending. So we will be able to use it to talk between worlds, without the long waiting for the message to go and the reply to return that electromagnetic impulses require. It is really a very simple matter. Like a kind of telephone.

We live in capitalism. Its power seems inescapable. So did the divine right of kings.