A profound love between two people involves, after all, the power and chance of doing profound hurt.

Hate gets going, it goes round, it gets older and tighter and older and tighter, until it holds a person inside it like a fist holds a stick.

Even the best weapon is an unhappy tool, hateful to living things. So the follower of the Way stays away from it. Weapons are unhappy tools, not chosen by thoughtful people, to be used only when there is no choice, and with a calm, still mind, without enjoyment. To enjoy using weapons is to enjoy killing people, and to enjoy killing people is to lose your share in the common good. It is right that the murder of many people be mourned and lamented. It is right that a victor in war be received with funeral ceremonies.

Jungians such as Joseph Campbell have generalised such journeys into a set of archetypal events and images. Though they can be useful in criticism, I mistrust them as fatally reductive. “Ah, the Night Sea Voyage!” we cry, feeling that we have understood something important — but we’ve merely recognised it. Until we are actually on that voyage, we have understood nothing.

True myths may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blonde Hero-really look-and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. "You must change your life," he said. When the true myth rises into consciousness, that is always its message. You must change your life.

Where does your soul go, when you die in Hell?

Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil. In an America where our reality may seem degraded to posturing patriotism and self-righteous brutality, imaginative literature continues to question what heroism is, to examine the roots of power, and to offer moral alternatives. Imagination is the instrument of ethics. There are many metaphors besides battle, many choices besides war, and most ways of doing good do not, in fact, involve killing anybody. Fanstasy is good at thinking about those other ways.