Even if people hate my other movies, and hate me, or whatever, I think from this point of view, Postal is the most important movie after September 11. It's not respecting any edge, any border, any nation, any religion - it's an all-type offender. I think that only if everybody gets a little pissed about something then you will start thinking about your situation.

I play PC and Xbox games at home, and I just got a PSP as a birthday present.

We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.

I think without the harsh critics, I would maybe have not made progress. From BloodRayne on, I spent more time and money on the development.

I think a lot of people don't take you seriously if they hear it's a video-game-based movie, and a lot of press people don't write about you. With BloodRayne, a lot of serious newspaper people didn't actually even see the movie. They went online to see other reviews, and then wrote their own. I think comic-book-based movies have a better image. We see it with 300, Sin City, Spider-Man - they are A-list features, and video-game movies are B-list.

I boxed 15 years in a club.

The thing is, I think as a director or a writer or whatever, you have to have a vision. And you have to be maybe sometimes too early, somewhere.