I'd say my religious life has shaped my worldview; my writing, I'd say too, is an extension of the pulpit...it reaches folks who don't care for organized religion in a different way.

After the phone call from The New Yorker, I walked more than a mile to church to thank God. But then I told God I would talk to Him another time and darted home.

I believe that Jesus was both priest and poet. Imagine those powerful parables! My experience as a priest tells me it's not possible to reach the hearts of the congregants without a bit of poetry and storytelling.

I always felt my writing could benefit from the attention of established writers. I knew my work could grow and be better.

I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?

I'm happy if my book makes you want to kiss your family... if we can reconcile with each other no matter where we are on the globe.

I have been very afraid of writing about other cultures and countries. I've been worried about getting the research wrong. I ask a lot of questions. I try to visit the area. If I'm not able to do that, I search out people from that country who live elsewhere and ask questions.