I think theatre should always be somewhat suspect.

To serve grand ideas with a major work is not bad, nor is it all there's to art.

The United Nations would probably have to rest on two pillars: one constituted by an assembly of equal executive representatives of individual countries, resembling the present plenary, and the other consisting of a group elected directly by the globe's population in which the number of delegates representing individual nations would, thus, roughly correspond to the size of the nations.

Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.

I am in favor of [actions] that have authenticity, roots, originality, verve, balance, taste, communicativeness, challenge, relevance to their time-in short, things that make sense.

A human action becomes genuinely important when it springs from the soil of a clearsighted awareness of the temporality and the ephemerality of everything human. It is only this awareness that can breathe any greatness into an action.

The only lost cause is one we give up on before we enter the struggle.