Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.

As in everything else, I must start with myself. That is: in all circumstances try to be decent, just, tolerant, and understanding, and at the same time try to resist corruption and deception. In other words, I must do my utmost to act in harmony with my conscience and my better self.

It would appear that the traditional parliamentary democracies can offer no fundamental opposition to that automatism of technological civilization and the industrial-consumer society, for they too are being dragged helplessly along by it. People are manipulated in ways that are infinitely more subtle and refined than the brutal methods used in post-totalitarian societies.

The salvation of this human world lies nowhere else than in the human heart, in the human power to reflect, in human meekness and human responsibility.

There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.

Ultimately, power only really listens to power, and if government is to be improved, we must be able to threaten its existence, not merely its reputation.

Because the regime is captive to its own lies, it must falsify everything. It falsifies the past. It falsifies the present, and it falsifies the future. It falsifies statistics. It pretends not to possess an omnipotent and unprincipled police apparatus. It pretends to respect human rights. It pretends to prosecute no one. It pretends to fear nothing. It pretends to pretend nothing.