It would appear that the traditional parliamentary democracies can offer no fundamental opposition to that automatism of technological civilization and the industrial-consumer society, for they too are being dragged helplessly along by it. People are manipulated in ways that are infinitely more subtle and refined than the brutal methods used in post-totalitarian societies.

I think theatre should always be somewhat suspect.

Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.

Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.

I have found that good taste, oddly enough, plays an important role in politics. Why is it like that? The most probable reason is that good taste is a visible manifestation of human sensibility toward the world, environment, people.

If by believing you mean praying to an anthropomorphic deity who created the world and half controls it and half observes it, then I am probably not a believer. But if you mean that it is not all accidental, that there is a mystery to existence, a deeper meaning, that I do believe in.

It seems to me that one of the most basic human experiences, one that is genuinely universal and unites-or, more precisely, could unite-all of humanity, is the experience of transcendence in the broadest sense of the word.