The tragedy of modern man is not that he knows less and less about the meaning of his own life, but that it bothers him less and less.

As in everything else, I must start with myself. That is: in all circumstances try to be decent, just, tolerant, and understanding, and at the same time try to resist corruption and deception. In other words, I must do my utmost to act in harmony with my conscience and my better self.

Even a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly, over time, gain in political significance.

There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. ... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.

Hope is not a feeling of certainty that everything ends well. Hope is just a feeling that life and work have a meaning.

In my opinion, theater shouldn't give advice to citizens.

Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.