The modern scene in decoration is not a unified or controlled one. The unified control of the arts during the reign of Louis XIV no longer exists; today the designer is free to achieve a wider variety and more personal approach to the interior.

Good design is forever.

Interiors speak! Rooms emphasize whether one exists or lives, and there is a great difference between the two!

I suppose the most marked example of color as structure is in the Byzantine use of mosaic decoration that becomes architecture. The decoration of the interiors so related to the form that they fuse. In less elaborate interior design this is always the ideal approach to color - used not only as just color alone.

The overscaled compositions being produced by so many abstract painters, which are full of movement and use of color, are ideal example, ideal transformations of an entire wall and entire room.... There is no denying that one of the major attractions of these successful large compositions is their structural decorative use in the contemporary scene... That these large canvases can be superbly decorative may not be considered complimentary by some of the artists involved.

The combination of an individual[i.e., a client] with a positive idea of living and a good designer is the great force in contemporary decoration. I don't care how good the designer is, I am sure that he [or she] would rahter have a person with definite ideas rahter than have to work with a negative figure as a client.

Remember, color is not just color, but mood, temperature and structure.